电影英语精读240131

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看电影，学英语，欢迎来到麦叔叔的书房！今天为你继续带来今天的电影英语精读。
我们选择的文章均为著名电影资讯网站的英文官网。精读共分为三个部分：
1. 英文原文（加粗单词为第二部分的重点单词）；
2. 重点单词的中英文解释；
3. 中英文翻译；
阅读建议：
1. 先不借助任何参考工具的情况下，自行通读原文一遍。在这个阶段，将自己不太理解的单词和文段标记出来；
2. 学习重点单词，并查找之前不理解的单词，再返回原文阅读标记的文段，看看是否理解了；
3. 最后通读中英文翻译，将自己仍不清楚的地方留言给我，我会尽力为您解读。
希望你能在这篇精读文章中，找到自己喜欢的英文电影内容！
Christopher Nolan Will Keep Making ‘Large-Scale’ Movies Because Many Directors Would Kill to ‘Have the Resources I Put Together. I Have the Responsibility to Use Them’

   
    
  
   
    
  
   
    
  


Christopher Nolan is a big fan of movies that are much more smaller-scale dramas like “Aftersun” (“a beautiful film”) and “Past Lives” (“subtle in a beautiful sort of way”) compared to his own output, he recently told Time magazine, but he’s probably never going to make them. Nolan got his start with indie productions like “Memento,” but he’s now famous for assembling blockbuster productions with huge sets and pricey budgets. He’s likely never going back to a more subtle production style.
“I’m drawn to working at a large scale because I know how fragile the opportunity to marshal those resources is,” Nolan told the publication about sticking with big productions. “I know that there are so many filmmakers out there in the world who would give their eye teeth to have the resources I put together, and I feel I have the responsibility to use them in the most productive and interesting way.”

   
    
  
   
    
  
   
    
  


Nolan’s most recent directorial effort was “Oppenheimer,” which carried a smaller-than-usual production budget of $100 million. That’s still a giant sum (especially for a dialogue-driven biographical drama), but it’s way down from the more than $200 million it took to get his espionage thriller “Tenet” off the ground. Nolan filmed “Oppenheimer” in around 60 days, and production designer Ruth De Jong revealed he slashed around 30 filming days in order to re-allocate the film’s budget to production design and set locations.
“It felt like a $100 million indie. This is not ‘Tenet,’” De Jong said last year. “Chris wanted to shoot all over the United States…just plane tickets alone and putting crew up all over the place [is expensive]. Not to mention I have to build Los Alamos, it doesn’t exist. That’s where I really felt like it was impossible. Chris said, ‘Forget the money. Let’s just design what we want.’ So that’s what we did, and when construction first budgeted my town it was $20 million. Chris was like, ‘Yeah, no. Stop.’”
Nolan did “the most incredible thing” in order “to achieve all of the desired looks and designs,” De Jong said. The filmmaker told her, “I’ve got to go do my homework,” which she later realized meant re-organizing the film’s shooting schedule in order to consolidate days and free up the budget for the production design. De Jong said “Oppenheimer” was originally set for an 85-day shoot, perhaps even more, but Nolan cut it down by at least 30 days.
“We made the movie unbelievably quickly,” star Cillian Murphy said on Marc Maron’s “WTF” podcast. “The pace of that was insane.”
“Oppenheimer” is nominated for 13 Academy Awards, more than any other film at the 2024 ceremony. It’s widely perceived as the frontrunner for best picture after winning top prizes at the Golden Globes and Critic’s Choice Awards. Nolan is also a strong contender in the best director race.
单词：
1. Subtle：organized in a clever way，巧妙的；
2. Assemble：When people assemble or when someone assembles them, they come together in a group, usually for a particular purpose such as a meeting，集合；
3. Blockbuster：A blockbuster is a film or book that is very popular and successful, usually because it is very exciting，大片、畅销书；
4. Pricey：If you say that something is pricey, you mean that it is expensive，价格高的；
5. Fragile：If you describe a situation as fragile, you mean that it is weak or uncertain, and unlikely to be able to resist strong pressure or attack，脆弱的；
6. Marshal：If you marshal people or things, you gather them together and arrange them for a particular purpose，召集、安排；
7. Eye teeth：If you say that you would give your eyeteeth for something, you mean that you want it very much and you would do anything to get it，渴望得到；
8. Espionage：Espionage is the activity of finding out the political, military, or industrial secrets of your enemies or rivals by using spies，间谍活动；
9. Reveal：To reveal something means to make people aware of it，透露、显示；
10. Slash：To slash something such as costs or jobs means to reduce them by a large amount，大幅度削减；
11. Reallocate：When organizations reallocate money or resources, they decide to change the way they spend the money or use the resources，再分配 (金钱或资源)；
12. Consolidate：To consolidate a number of small groups or companies means to make them into one large organization，合并；
13. Free up：释放、腾出（空间或时间），指通过删除不必要的文件或安排时间来腾出空间或时间；
14. Perceive：If you perceive someone or something as doing or being a particular thing, it is your opinion that they do this thing or that they are that thing，认为；
15. Frontrunner：领跑者；
16. Contender：A contender is someone who takes part in a competition，竞争者；
Christopher Nolan Will Keep Making ‘Large-Scale’ Movies Because Many Directors Would Kill to ‘Have the Resources I Put Together. I Have the Responsibility to Use Them’
克里斯托弗·诺兰将继续制作“大规模”电影，因为许多导演都渴望“拥有我整合的资源。我有责任好好利用它们”
Christopher Nolan is a big fan of movies that are much more smaller-scale dramas like “Aftersun” (“a beautiful film”) and “Past Lives” (“subtle in a beautiful sort of way”) compared to his own output, he recently told Time magazine, but he’s probably never going to make them. Nolan got his start with indie productions like “Memento,” but he’s now famous for assembling blockbuster productions with huge sets and pricey budgets. He’s likely never going back to a more subtle production style.
克里斯托弗·诺兰最近在接受《时代》杂志采访时表示，与自己的作品相比，他非常喜欢那些规模更小的剧情片，如《晒后假日》（“一部美丽的电影”）和《前世今生》（“以一种美妙的方式呈现微妙之处”），但他可能永远不会拍摄这样的电影。诺兰从独立制作如《记忆碎片》开始他的职业生涯，但现在他以集结拥有巨大场景和昂贵预算的大片制作而闻名。他可能永远不会回到更微妙的制作风格了。
“I’m drawn to working at a large scale because I know how fragile the opportunity to marshal those resources is,” Nolan told the publication about sticking with big productions. “I know that there are so many filmmakers out there in the world who would give their eye teeth to have the resources I put together, and I feel I have the responsibility to use them in the most productive and interesting way.”
“我之所以喜欢大规模制作，是因为我知道集结这些资源的机会有多么脆弱，”诺兰在谈到坚持大制作时对出版物说道。“我知道世界上有那么多电影制作人，他们宁愿牺牲一切也要拥有我集结的资源，我觉得我有责任以最有成效和有趣的方式利用它们。”
Nolan’s most recent directorial effort was “Oppenheimer,” which carried a smaller-than-usual production budget of $100 million. That’s still a giant sum (especially for a dialogue-driven biographical drama), but it’s way down from the more than $200 million it took to get his espionage thriller “Tenet” off the ground. Nolan filmed “Oppenheimer” in around 60 days, and production designer Ruth De Jong revealed he slashed around 30 filming days in order to re-allocate the film’s budget to production design and set locations.
诺兰最近执导的作品是《奥本海默》，其制作预算比通常的1亿美元要少。这仍然是一笔巨款（尤其对于一部以对话为驱动的传记剧情片来说），但远低于他的间谍惊悚片《信条》超过2亿美元的制作成本。诺兰在大约60天内完成了《奥本海默》的拍摄，而制作设计师鲁思·德·容透露，他削减了大约30天的拍摄时间，以便将电影的预算重新分配给制作设计和拍摄地点。
“It felt like a $100 million indie. This is not ‘Tenet,’” De Jong said last year. “Chris wanted to shoot all over the United States…just plane tickets alone and putting crew up all over the place [is expensive]. Not to mention I have to build Los Alamos, it doesn’t exist. That’s where I really felt like it was impossible. Chris said, ‘Forget the money. Let’s just design what we want.’ So that’s what we did, and when construction first budgeted my town it was $20 million. Chris was like, ‘Yeah, no. Stop.’”
“这感觉就像一部1亿美元的独立电影。这不是《信条》，”德·容去年说道。“克里斯想在美国各地拍摄……光是机票和让剧组人员住遍各地[就很昂贵]。更别提我还要建造洛斯阿拉莫斯，它根本不存在。那时候我真的觉得这是不可能的。克里斯说，‘别管钱了。我们就设计我们想要的吧。’所以我们就这么做了，当建设部门首次为我的城镇做预算时，是2000万美元。克里斯说，‘对，别停下。’”
Nolan did “the most incredible thing” in order “to achieve all of the desired looks and designs,” De Jong said. The filmmaker told her, “I’ve got to go do my homework,” which she later realized meant re-organizing the film’s shooting schedule in order to consolidate days and free up the budget for the production design. De Jong said “Oppenheimer” was originally set for an 85-day shoot, perhaps even more, but Nolan cut it down by at least 30 days.
为了“实现所有期望的外观和设计”，诺兰做了“最不可思议的事情”，德·容说道。这位电影制作人告诉她，“我得去做功课了”，她后来才意识到这意味着要重新安排电影的拍摄时间表，以便整合拍摄天数和腾出制作设计的预算。德·容说，《奥本海默》最初计划拍摄85天，甚至可能更长，但诺兰至少削减了30天。
“We made the movie unbelievably quickly,” star Cillian Murphy said on Marc Maron’s “WTF” podcast. “The pace of that was insane.”
“我们拍这部电影的速度快得令人难以置信，”主演希里安·墨菲在马克·马龙的“WTF”播客节目中说道。“那种节奏太疯狂了。”
“Oppenheimer” is nominated for 13 Academy Awards, more than any other film at the 2024 ceremony. It’s widely perceived as the frontrunner for best picture after winning top prizes at the Golden Globes and Critic’s Choice Awards. Nolan is also a strong contender in the best director race.
《奥本海默》获得了13项奥斯卡提名，是2024年颁奖典礼上获得提名最多的电影。在赢得金球奖和评论家选择奖的最高奖项后，它被广泛认为是最佳影片的领跑者。诺兰也是最佳导演的有力竞争者。 